Showing posts with label Education. Show all posts
Showing posts with label Education. Show all posts

Thursday, August 05, 2010

Dr "glass-half-empty" Coyote

Hate to do it, but when a 16-year-old writes and says "all I really want to do in my life is compose and record music--what are my career options", if you're a responsible respondent, there ain't but about one kind of answer [lightly redacted]:

Sure, I remember you.

The fact of the matter is that there are very, very few full-time jobs to be had playing and composing music for a living. This is why most people who DO make a living in music have one or more parallel streams: arranging, teaching, etc--and many others have full-time non-music jobs.

To be a full-time musician, you have to have (a) absolutely top-notch chops; (b) a good support network (to tide you over between jobs, or in the event of unforeseen problems--medical, financial, etc; (c) a relentless work ethic--12-14 hours per day; (d) a great deal of patience and fortitude, being prepared to put up with the possibility of years of poverty and/or frustration; and (e) a lot of luck. (a) through (d) are do-able--because they are (mostly) under your own control. (e) is a killer, because it is not. I've been a professor for 10 years. Before that I was in graduate school (Master's and a Doctorate) 12 years. Before that I lived on less than $20,000/year for about 6 years. All through those years I had straight jobs to help pay the rent.

I would encourage you by all means to keep writing, keep recording, keep working on your chops. But unless you are prepared to either be a music teacher, and get the necessary formal schooling that certifies you for that, or else to accept a great deal of uncertainty, unpredictability, and (probably) poverty), I would not advise that you try to make a full-time career in music.

Be advised that there are LOTS of very talented musicians who don't work full-time or exclusively in music: I know psychiatrists, doctors, lawyers, carpenters, auto mechanics, etc who are every bit as talented and make music every bit as good as that created by "full-time musicians." You can do the same.

Probably the most valuable things you can do right now are to (a) keep working on your chops; (b) diversify your skills: learn about marketing, computers, graphic design, contract law, copyright law, etc; (c) work with a lot of different collaborating musicians--expand your horizons and your network of contacts; (d) get out there and gig, in as many different types of circumstances as possible. My wife's nephew has had songs he's written pitched to Avril Lavigne--but he's not counting on that to make his fortune. He's also going to college for music education; also plays drums, guitar, and trumpet; also sight-reads like a whip and sings bass; is also an excellent beat-boxer. The competition is fierce and there are thousands upon thousands of excellent musicians out there.

Good luck.

Dr Coyote
Reading back, it's a big bummer, though not intended to be such. Just cain't lie to the young'uns about possible/impossible it might be.

Updated to add: he wrote back:
Thank you for some practical advice, instead of the "don't do it" I'm getting from everyone else. I will look into some other options, as I really don't want to be poor.
Guess it was the right medicine. One doesn't always know.

Friday, July 30, 2010

"Music is the weapon of the future" --Fela Kuti

Fela Kuti said that. In this performance, the great Hugh Masekela, who wrote the song for the magnificent stage show Sarafina!, about the children-led protests of the Soweto Riots, proves it.

I was playing this song, with my brother-in-music Dr Jolt, in Bloomington IN, in Jif & the Choosy Mothers, the night that Nelson Mandela walked out of prison, after twenty-seven years.



As Andy Irvine said, "You all have to sing very very loud, because fascists are very very deaf."

Gandhi said: "First they ignore you. Then they laugh at you. Then they fight you. Then you win."

And, to paraphrase the great Emma Goldman, we going to be dancing all the way.

Thursday, July 29, 2010

"Engaged and Integrated Scholar"

Requested responses to university Provost's "Engaged and Integrated Scholars" series feature. Surprising how much more honest you can be when you've got tenure:

1. What is your research objective/interest(s)?

Interests:
American and African-American Music, 20th Century Music, Irish traditional music and other folk musics and cultures, improvisation, music and politics, performance practice, historical performance.
Objectives:
To do work as a research scholar which enriches historical understanding, empowers communities, and overcomes cultural boundaries.
2. How do you feel your research impacts the globe?
In my research, I am a proponent of Patrick Geddes's dictum to "Think globally, but act locally". I believe scholars should recognize wider impact and responsibility for their work, not only within their own disciplines, but also as part of wider research communities and, indeed, as part of all communities worldwide. Because my own work is especially engaged with the histories of marginalized, colonized, ostracized, and working-class musics, it also engages issues of politics, race, class, and power and I am particularly aware of my responsibilities in these areas.
3. Where do you get your inspiration?
I am inspired by my own teachers and predecessors, within and beyond the field of musicology, who have modeled for me the combination of rigor, curiosity, insight, sensitivity, and work-ethic which I strive to realize in my own work. My own teachers J. Peter Burkholder, Austin Caswell, Thomas J Mathiesen, Thomas Binkley, and Richard Bauman were giant intellects and inspirations. Beyond musicology, I am inspired by the poetics of Gary Snyder and Peter Mathiessen, the spiritual insights of Dainin Katagiri Roshi and Thomas Merton, and the stunning beauty and emotional depth I have found in many different forms of traditional music. As Bob Dylan said, "traditional music will teach you everything you need to know to live. If you let it."
4. What type(s) of service projects do you enjoy doing?
I am acutely aware of the unusual privilege I enjoy as a a white, male, tenured, heterosexual college professor. That privilege--though hard-earned and many years in coming--obligates me to work to help others. I donate my time writing, teaching, playing, and speaking as much as I possibly can. Possibly the most gratifying service projects of all are those in which, through teaching, I am privileged to help people become participants in the creation of their own artistic lives.
5. What projects are you currently working on?
My primary current research project is a large-scale scholarly monograph on the earliest roots of blackface minstrelsy, the early 19th century street idiom which synthesized African-American and Anglo-Celtic styles to create the first great American popular music. I am also heavily involved in expanding the range and visibility of the work done by my own Vernacular Music Center, and the activities of the Celtic Ensemble, a unique ensemble among North American music conservatory programs.
6. What advice do you have for new faculty members on balancing all of the components of an integrated scholar into their careers (academics, research, service)?
Although I would certainly not think of myself as exemplifying effective integration of al these elements--I am acutely aware of my own limitations and inefficiencies--I have found the following dicta to be practical and useful:
  • Cultivate the ability to concentrate closely in short bursts of time. Available time for one's own research is never sufficiently great and it is always prone to interruption; therefore, it is important to be able to muster concentration in shorter bursts.
  • Related to the above: identify those patterns in your calendar and schedule in which your concentration is best and most suited for certain types of activities, and protect those times for your own work. I get up at 4:30AM, six days a week, for this reason.
  • Develop a physical and a spiritual discipline. Do something outdoors and something physical every day. I bicycle, garden, do yoga and martial arts.
  • Invest effort not only in your own work, but also in communicating and collaborating with colleagues, making sure that they know what you are working on. Work a little bit harder and be a little bit friendlier--this pays large dividends.
7. Lastly, please provide us with some background information to help people get to know you. What is your official title, educational background and hometown?
I am Associate Professor of Musicology; I serve as Chair of Musicology, director of the Vernacular Music Center, and director of the Celtic Ensemble. I hold a BA (Music) from the University of Massachusetts, and a Master's in Music (Jazz Studies) and Ph.D. in Musicology, from Indiana University. I was born on the north shore of Massachusetts, in a small town called Marblehead (home of the painting The Spirit of '76), but have lived, worked, and played music in Cambridge MA, Manhattan, Chicago, and New Orleans, as well. My wife Dharmonia (also professor of Musicology at the university) and I lived in southern Indiana for 12 years, and here in Lubbock since 2000, but my heart is still in the foothills and seashores of northern New England.

Tuesday, May 04, 2010

My hero, Gary Snyder

I hope, when the time comes for me to die, that I will have lived a life this valuable:



Gassho.

Sunday, May 02, 2010

I R a music major

Dear God, this is painfully accurate:

h/t to the Sarge.

Thursday, April 22, 2010

Growin' 'em meself

Boomer-aged Bay Area English Country Dance teacher, to Dr Coyote, after I walked into the Dallas traditional dance group's Country Dance weekend with 14 young'uns in tow, all of whom could sing, dance, play, and focus like demons:

Where on earth did you get these great kids, you wonderful man?!?
Dr Coyote:
Aw, hell...I just grow 'em in cold frames.


Damned proud of my guys.

Wednesday, April 21, 2010

Instead of blogging...

...I'm doing shit like this.

Thursday, April 15, 2010

The greatest television ever made

All praise to The Sopranos, Northern Exposure, Homicide: Life on the Streets, The Corner, Six Feet Under, etc, etc,

but this is what demonstrates what that incredible idiom can accomplish:

Saturday, April 10, 2010

Another "terrorist fist-jab"

On Jun 8 2008, in the wake of Michelle & Barack Obama's celebration of his nomination as Democratic candidate for the Presidency, the vapid Fox "News" talking-head bimbo E. D. Hill notoriously referred to that celebration as a "terrorist fist jab". The hysterical absurdity of the accusation--and the lily-white racist subtones which underlay it--reveals the hysterical terror which Fox seeks to inculcate in its low-information, mostly elderly, mostly ignorant listeners.

Well, guess what, E. D. Hill?

He's the President now. And the people in the US armed forces, the people who actually put their bodies in harm's way, for your safety, you gutless talking-head bimbo, those people know he is their President.

You Tea-bagging imbeciles? Get used to it. It's a new age.

And about damned time.

Friday, April 09, 2010

'Tis the season

...when the panic is upon us and the academic dishonesty spikes. Comment on student paper:

Extensive paraphrase from Wikipedia. You were informed in class that Wikipedia is not a permissible source. Moreover, with this extensive paraphrase, and some literal and uncredited block-and-paste, you are dangerously close to plagiarism. Re-write COMPLETELY and resubmit for consideration of passing grade.
Dr Coyote
Sigh.

Saturday, April 03, 2010

"To conquer them with love, stand up now, stand up now..."

Gunn High School (Bay Area) gets word of the arrival of the Westboro Baptist Church (psychotic Baptist anti-gay hate group) cowboys up, sets up a Facebook group, surrounds them with love, and forces them to surrender.



You noble Diggers all, stand up now, stand up now.

Friday, March 19, 2010

Jiggity-jig, one more once

Slowly digging out here. For a Spring "Break", there sure has been a hell of a lot of eventuality in the past 7 days. Got back from a family affair on Wednesday, leaving for Dallas with a van-load of students today. Where exactly was the "week off", again?

Thursday, February 25, 2010

Quick hit: retraining after the coffee break

Just back from the Delta blues gig: once a week (Thurs nights) in a coffeeshop where the clientele can, on any given night, be overladen with too many posing (and loud!) high school students, oblivious to those few others who might've actually come out to hear the music. But on other nights it can be OK, if the ambient noise level is reasonably low and my hands are working reasonably well. Not the best night tonight, playing-wise, but not the worst either.

This next picks up from a comment over on the ProfHacker blog (where a Dr Coyote article on teaching to large classrooms will appear in the next couple of weeks), where the PH crew asked for suggestions about "15 minute activities that improve the next day's efficiency."

Was working earlier today with teaching assistants on the materials for the Friday discussion sections, the balance to the Monday/Wednesday lectures when, on Fridays, the TA's take over in order to create a different interactional dynamic. The kiddos need the contrast--because having to deal with Dr Coyote two days a week is quite sufficiently intense--and they need to take responsibility for their own interactions with one another.

Down-side, of course, is when/if certain little criminals decide that the Friday meetings are somehow "less important" or "not real classes", it means a week away before the next Wednesday when I can bring the hammer down upon them. And, even when they're not criminal, it can be damned difficult for them to hold onto the continuity from Wednesday to Wednesday, if the Friday content is chunked-out separately or unrelatedly. So we try to have Friday group tasks & chores pick up from Wednesday lecture, and feed-into shared activities on the Monday morning--it makes for much better continuity.

I also work on continuity from one class meeting directly to the next. Immediately after every meeting of a class, including the MWF 50-minute sessions with the undergrads and the TR 80-minutes with the grads, I send a Blackboard email "further to meeting of XX-XX-XXXX [date]", in which I reiterate the meeting's topic, point to new resources relevant to the day's discussion (at the same time, I am converting and uploading the day's Flash slideshow--I teach music history so audio and video embeds are important for student review), cite next due dates, and so on. I find it keeps the continuity from the end of one class session through to the beginning of the next--in musician terms, this would be "connecting the energy at the end of one phrase to the beginning of the next"--as well as providing a concrete, succinct, cogent summary, meeting-by-meeting, of that course's progress through the semester.

It's a little more than 15 minutes, and it happens after each class meeting rather than once a day, but it certainly seems to help both students and professor with continuity.

Monday, February 22, 2010

Single-tasking

It has become all the fashion on the productivity blogs to bash multi-tasking, while at the same time, on the education blogs, self-consciously "progressive" types are bashing hidebound *resistance* to multi-tasking.. I think, however, that such trendy bashing proceeds from somewhat different critiques. On the productivity blogs, the critique is that multi-tasking, which is conventionally understood as "doing two or more things at the same time" (editing, talking on the telephone, monitoring social-networking feeds, etc, etc), actually erodes productivity--that the illusion is believing that either one of the tasks being performed simultaneously "to save time" is being executed as well as either could be executed sequentially.

For the edu-bloggers, the contrary argument--in terms of their contrasted clientele of students--is that 21st century youth (and in this I'm including anybody anywhere in any formalized educational system, age 5 to around age 26) spend nearly all of their waking hours multi-tasking anyway (cell phone, facebook updates, text messaging all occurring simultaneously with, oh, I don't know, operating an automobile, "studying" for a test, "taking notes" in a lecture) that it's artificial, probably uncomfortable, and certainly counter-productive to insist that they suddenly switch gears entirely and become one-pointed in their attention during the tasks that we think should be accomplished by mono-tasking.

Historically, in the K-12 world, as I understand it educators have finessed this by diagramming the durations of attention of which children are capable at various stages of cognitive development: 90 seconds at age 6, two-and-a-half minutes at age 10, and so on (the likely inaccuracy of my time estimates here revealing my embarrassing unfamiliarity with educational technique). This strikes me as an OK/not-bad solution to the existing situation--but not one that is really applicable for a college-age clientele who are supposed to be learning how to expand and focus their concentration, in terms of both topics and durations.

But I don't think the edubloggers quite have hold of the right of the stick either. There's an old saying back from all those years ago in the 1970s, "If you studied stoned, you better take the exam stoned." (Parenthetically, I can still say that, four decades later, I still see undergrad music kids operating from the same numb-skulled presumption--trumpet players never change) I don't hold with trendy parallel current view about multi-tasking's suitability. I think contemporary college students don't know how to concentrate and that part of our job is to teach them how.

On the other hand, people do sometimes comment on the work-load I carry, and/or the degree to which I can "multi-task," thinking of it as revealing higher-than-normative productivity. I don't happen to believe that--I'm crucially aware of what I could be producing and of the colossal degree to which I'm constantly falling short--but that repeated assertion has made me think about what it might be they think they're seeing. And I don't think it's multi-tasking; there's something else going on here.

What I think is being observed is something I learned years ago, as a survival skill, somewhere in the twelve years we were in graduate school, or maybe even before that when I went back to finish the aborted undergrad degree, or maybe even before that, when I was working as a bookstore night-manager, or restaurant cook, or framing carpenter. I learned that I was never going to have the number of hours, or the extended blocks of time, that would let me practice uninterruptedly as long as I wanted or in open-ended ways.

When I was carpentering, I learned to get up at 4:30am and practice until I had to be at work at 7:30, because trying to practice chromatic approaches after a full day of framing houses, and a shower, was a recipe for falling asleep.

When I was cooking, I'd work double-shifts three days a week (14 hour days: 9am-11pm), so that more days were open for practicing. I'd get out of the restaurant at 11 and walk three miles home across town, trying to unwind enough so that I could sleep readily and get up early.

At the bookstore, I'd work 7-midnight, take a last train from Cambridge's Harvard Square, sprint for the last bus at Government Center in Lynn, and hope that bus in turn made a connection that would take me all the way up to my home town on the North Shore so I could walk only a couple of blocks to my friend Larry's house--if I didn't make that last connection, I'd walk 5 miles there. And get up early to practice.

Night-managing the guitar studio, I'd get up and get to the studio two or three hours before opening time, so I could have the place to myself, away from distractions or noisy apartment neighbors, and better concentrate on the practicing. I'd sit behind the desk once we opened up and play scales and patterns on the house acoustic guitars for hours upon end, driving everybody in the waiting room crazy, when Larry & I weren't playing Irish tunes on fiddle and mandolin and driving them crazier.

I taught myself to sight-read on the Brookline Green Line train heading to the Studio every morning and, late night, riding home at night. I still remember the workbook: an early edition of Clough's Chords, Keys, Scales, Intervals, and Triads.

When I went back to school, I'd read the 4th edition Grout Music History textbook on the Red Line to Dorchester, when I wasn't sitting there, book closed, practice piano fingerings (Stravinsky's Les Cinqs Doigts and Bartok's Mikrokosmos) on its spine.

One of the most amazing guitarists I've ever heard, Wisconsin's Jack Grassel, said to me, "if you work at home, keep the guitar out, on a stand, so if there's only a few minutes free, you don't have to waste time pulling it out of the case."

I'd sit there in the late-night Wednesday or sign-on Sunday shifts at the Bloomington public radio station, my throat raw and voice shot from screaming over the 9-piece horn band the night before, the mic shut off, and play Dave Baker's 101 Bebop Licks and 33 common-practice bebop heads in 22-minute increments while the LP's of Bruckner and Brahms spooled through their sides. I'd sit at the station's sole MS DOS desktop, which ran the AP ticker and was embedded in a wall of World War II surplus sound-gear about 5 feet off the ground, so I had to use a high stool, and transcribe classroom lecture notes onto floppy discs, with the on-air feed turned up loud so I could hear it.

I learned to carry along a primitive walkman everywhere, so I could block out ambient noise wherever I was. Studying for my doctoral exit exams, I had three huge 5-inch loose-leaf binders, one for each major topic area (Baroque, American, 20th century), so huge they wouldn't fit in a knapsack, so I strapped them all together with a martial-arts belt, and carried them everywhere.

Nowadays, I stand or fall on the hour-by-hour scheduling of the Outlook planner. I tell students asking at the end of class for a meeting time to please send me an email, because I can only guarantee that the time is available (and will be reserved) if I'm sitting there with the Outlook planner open.

I block out the week literally hour-by-hour, always making sure, as I've blogged before, that there's not only prep-time for each class or meeting, but also followup-time. As I've said, nowadays I'll write a followup note (kind of "minutes or "action-items") for every meeting: student, faculty, survey, or seminar class. It means that almost every hour of the week is locked-in, and for some people would "feel" terribly rigid, but for me it's actually liberating. Because I can be reasonably confident that there will be time to do everything that needs to be done within the constraints of the timetable on which they need to be done. But it has to happen right then, not later, and not optionally--it has to be right then.

And it can all go to hell, of course, if the inevitable unpredicted interruptions overwhelm the small chunks of time in the schedule allocated for them. These days, with a parent failing, also by the hour, it's particularly difficult to stay focused.

But it's particularly important, now, in the job I've held these past 10 years. Because now, the blocked-out hours and half-hours and quarter-hours are not only essential to getting my own work done, but absolutely essential to the viable progress of my students--especially graduate students--in their own life-plans. I spent 12 years in graduate school and I do have some grasp of how overwhelming every single hurdle can seem. What that means is that they have to believe that, meeting by meeting and semester-by-semester, I am totally locked-in, for that particular chunk of time together, on helping them every way I can, right there and right then.

It matters that I've learned, over the past 30 years, to single-task--to apply one-pointed attention--in the pursuit of my own long-term goals. It's even more important, now, that I apply that attention to the long-term goals and well-being of my students.

Wednesday, February 17, 2010

Stress & skillful means

Welcome to the sandbox.

It's not in my division, unit, or even college...but in an institution not too far away from here, I'm having to deal with some people who, for me, define "stress" in two classic fashions:

(1) "that feeling you experience when you are constrained from choking the living shit out of some asshole who desperately deserves it"; e.g., some "colleagues" who do not know how to behave "collegially"--expecting a level of sycophantic knocking-head (kow-tow) simply because they have been able to finagle the title "Dean", and calling into questions one's own competence when their *own* is manifestly lacking (as one of the embarrassed subordinates said, after one such session, "I could not believe that he questioned your credentials...I mean, all he'd have to do is google you!" to which I replied "yeah...and what do you think a search on his name would reveal?" to which the subordinate said "I know, I know...we're really embarrassed on your behalf", to which I refrained from saying "then why the fuck don't you speak up to this asshole?", and the big one:

(2) they jack with students. And, far beyond the reaction eliciting when you jack with me, if I see you jack with students, you're toast. If it takes years, I will never forget what you did to that kid.

As Twain said, "the reason that the battles in the Ivory Tower are so ferocious is because the stakes are so small." And, mostly, he was right--because entirely too many academics behave entirely too self-righteously about entirely too trivial issues of entitlement or power.

But some of the stakes are not small--sometimes, they are life-or-death. Sometimes it is worth going to the mattresses on behalf of a student, or a program, or an event which is being fundamentally compromised and exploited.

One such, involving this not-too-far-distant unit, was a couple of years back, when the chief officer of the unit decided he wanted to read the thesis of a student in his unit which was being supervised, at the student's request, by me. It's my suspicion that this Chief Officer knew that his department's productivity (e.g., successful student recruitment and graduation) was down and that he was seeking outside factors upon which to shift the blame.

At any rate, after having received less than no coherent or consistent information regarding that department's expectations, timetable, and/or requirements for a senior thesis, the CO decided it was necessary to call me on the carpet for the "problems" with the thesis for which he and his department had been a total absentee landlord. I entered the situation with the clear internal intention that, regardless of whatever candy-assed bullshit went down, I was going to keep the student's own long-term best interests at heart.

And it's a damned good thing I did, because the CO (good-hair, trademark starched white shirts with the sleeves rolled up to demonstrate that he was a "regular guy", telltale drinker's high color and red nose) began the meeting by saying "what is the basis for your qualifications to supervise this thesis?" And it was all downhill from there. I had to tell him--because he obviously had not taken the trouble even to read the faculty bio, much less run the above-mentioned google search--about the range of my own scholarly research and publication activity, while his subordinates, both junior and senior, ducked their heads in embarrassment.

Finally, I observed "we are not here to interrogate my qualifications. Your department requested that I take on the additional, unremunerated duty of supervising this thesis, to which I assented because I wished the best for this student. Can we now please talk about that topic? What would be best for this student?"

Of course he immediately backpedaled, insisting that he "wouldn't think of questioning" my credentials--when in fact that is precisely what he had been doing--and I managed to direct the conversation back to the thesis and what could best enhance the writing. It became apparent--obvious I think to the embarrassed subordinates who'd felt unable to speak up to contradict their "boss"--that there had been massive, systemic failure, of design and of execution, in his own department's procedures for vetting, supervising, and confirming the thesis work. Within 5 minutes of conversation, the CO was saying "well, what sorts of things would you do differently in contrast to the existing procedures?"

So I let the bastard have it, and detailed over a dozen different tweaks, adaptations, re-sequencings, and additional stages which I thought could help close the loopholes in his division's ill-conceived existing procedures. He sat there, nodding sagely yet visibly disinterested, while his subordinates scribbled frantically, taking notes on my suggestions.

Six months later, the two subordinates are gone. Every one of my (uncredited) suggestions has been incorporated into their vetting procedure. And the CO is still there, good hair and starched shirts in place, while his division continues to hemorrhage students, faculty, and quality.

I don't give a shit about the credit--I get way more than my share as it is--but I could wish that crap didn't so entirely too often to the top of the university pond.

It ain't right.

Why true scholars matter

Because in the wake of a shooting spree that killed her UAH colleagues as they sat around a faculty conference table, Debra Moriarty said this, in refusing to join the hysterical cries for ever-greater denials of civil liberties:

"There is evil in the world; it is unfortunate that good people are hurt by that. But a university is a place of free thought and freedom to explore ideas and to search out new knowledge and you don't want to put anything in place that dampens that."
That is the courage of a true scholar. Thank you, Dr Moriarty.

Tuesday, February 16, 2010

Gopi Podila, Adriel Johnson, Maria Ragland Davis; Luis Cruz-Vera, Joseph Leahy

Because they, not the poor twisted madwoman who attacked them, should have names and faces:



Gopi Podila (RIP),
Adriel Johnson (RIP),
Maria Ragland Davis (RIP);

Luis Cruz-Vera,
Joseph Leahy.

May their names and the constructive energy of their lives continue to resonate after we are gone.

Gassho.

Monday, February 15, 2010

To neither generalize nor particularize - UAH

There is no point in trying to "make sense" out of things that are by definition senseless, to "find the reason for" things which are without reason. Yet those is what so often, too often, happens in the wake of shootings like the one at University of Alabama.

Here's what I wrote over on Dean Dad:

Well-put and apt. I would certainly agree that the rush to generalize (as in "just another case of...") or particularize (as in "somebody must have made an error somewhere, which, if only identified, could prevent this happening again...") are both equally inapt. As I expressed to a friend, the mainstream media's tendency to try to find some failure of security or record-keeping, some "red flag", which "should have" been a warning signal, proceeds from a unsubstantiated conviction that tragic events are never random and can always be prevented, which is not how the world works.

That said, we both have experience of working in academic bureaucracies (or as bureaucrats) in which we can recognize that certain persons manifest inappropriate responses (e.g., potential "red flags") of varying magnitude. And in a bureaucracy bound by OP's, the path to containing the behavior or terminating the employment of such a person can be very difficult.

I will be interested to see, if we ever hear, any commentary from the tenure committee or other UA-H colleagues about why the shooter might have been denied tenure. It does not appear to have been a problem with productivity (grants recorded around the web) or student satisfaction (as of yesterday, she was well-regarded at ratemyprofessors). Was her tenure denied because of inappropriate conduct? It seems possible.
If there is a lesson, it is that life is short, and unknowable, and that we damned better live our lives with that in mind.

Saturday, February 13, 2010

"I'm talkin' to the wall here!"

My admired stepfather, rest his soul, an Italian stonemason and bebop drummer/saxophonist, used to say this when someone--typically one of his daughters--was refusing to see things his way. I don't often have occasion to use the line, as most of my students are receptive and smart (or maybe I just think they're smart, because they behave to their professors as if receptive--not a bad skill in a grad student), but I was reminded of it upon reading an article in the London Financial Times about witnessing the semi-legendary entrepreneur/motivational speaker Malcolm Gladwell. The author is a proponent of a perspective about "spontaneity" which I try to train my students out of:

I also make a point of not writing out my speech. My theory is that it is more interesting to hear someone talk, than to listen them read a prepared text.
As I tell my students, such a perspective really means, as a subtext, "I think I can improvise something as precise, articulate, coherent, relevant, and well-timed as somebody else can pre-compose and I rehearse." And they ain't too many who can actually do that. I am an adamant and insistent advocate, especially in the context of a scholarly thesis exposition of the sort that I train my students to provide, of writing that sucker word-for-word, and then editing remorselessly for content, clarity, and timing.

As Gideon Rachman relates, Gladwell agrees:
First, he is a master of the “look no hands” style of speaking. He just stands up there, with a button mike and talks - and it all sounds very spontaneous, with little asides and jokes, and messages tailored to his audience. Second, he tells stories - there are theories attached to the stories - but the bulk of the talk is made up of charming anecdotes to illustrate rather simple themes.
And how does he do it? Rachmann asks him, and Gladwell replies:
“I know it may not look like this. But it’s all scripted. I write down every word and then I learn it off by heart. I do that with all my talks and I’ve got lots of them.”

Quoting my stepdad: "Am I talkin' to the wall, here?!?"

I sure hope not. :-)

Friday, February 12, 2010

TMEA

Traveling and conferencing heavy on the Riverwalk this weekend. Blogging lite ensues.